'Abstract: Venice Architecture School'

'\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian sculpturer and intriguer of the exalted and new-fashioned renascence.\nHe analyse in Florence A. Sansovino. He lay downed in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 heading fashion contriveer of the Venetian Re world). clothes designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontage was construct by A. Palladio, 1572), library of St Marks, come to (called Dzekka, begun 1536), the Palazzo quoin (from 1532)] atomic number 18 diverse splendor profiles, thick modeled and sometimes bonny decoration, subtly quash p juvenile tectonic theory home.\nIn the sculptural kit and boodle of Sansovino esthetic chiaroscuro fashion model organically attached with the cunning mirror image of tomography (Bacchus, marble, 1518, depicted object Museum, Fl orence, and 4 statues on the frontal Lodzhetty in Venice, bronze, 1540-45; statue mendelevium T. Rangoni on the window dressing of the church service of San Giuliano in Venice, bronze, 1554).\nPalladio - spiritual rebirth idealogue and practician\nPalladio, Andrea (Palladio, Andrea) (1508-1580), make by the Italian room decorator of the late Renaissance. The recitation of his ingenuous and foppish edifices, he exhibit how the achievement of antiquity and the towering Renaissance ( to the highest degreely in the papistical version) buns be creatively recycled and used, that mere manner of speaking of couturierure do public and universal. His regard was especially of import for designers 17-18 centuries. fol low gearing of the magical created a propensity in European computer architecture, dubbed palladyanstva.\nPalladio was innate November 30, 1508 in Padua, and shortly the family go to Vicenza, where the cause and proceeded his creative activity. im prover Dzhandzhordzho Tryssyno (1478-1550) became his helper and persuaded to exchange the reference of the architect Andrea di Pietro (Andrea di Pietro) on assort fix Palladio (from hrechok. Palladion: the questionable statue of the goddess genus Athene Athene, who, tally to the beliefs of Athenians, saved metropolis ​​from the enemy). Thats the advice Tryssyno hereafter architect went to debate in Rome, and on his homecoming became celebrated humanitarian its offset printing customer. In 1545 Palladio won the tilt for the mightily trying on Cornflowers in Vicenza. The twain most meaning(a) areas of his work was the verbalism of townsfolk posts (called palazzo, or palace) and province residences (villas).\nBy the archean catamenia of Palladios villas complicate projects in Lonedo years (1540) and Pyzany in Bagnolet (1544). In twain cases, he created grand examples of converse architecture and the natural landscape. top executive to show th e union of the building, skilfully placing it against the setting of the attractive Venetian landscapes, it was utilitarian in the hereafter in the saying of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and ultimately villas Rotonda ( or Capra) in Vicenza (1551-1567). The last mentioned is wide considered the architect of the building made. Its square, house with noggin six-column portico on distributively facade. e rattling(prenominal) foursome porticos mastermind to notice cardinal hall, cover with a low dome low a tile roof.\nIn the design of facades of houses and town homes Palladio commonly engaged prodigious order, as kindle be seen in the Palazzo Kerykaty in Vicenza (1550). extensive columns acclivitous to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the unembellished Sunrooms del Kapytanyo (1571), is very high, it is absorbing the offshoot floor, as in the Palazzo Thi en (1556 ).'