The Representation of the Female in William Blake Essay examples -- Bi

The Representation of the Female in William BlakeIf William Blake was, as Northrop Frye described him in his prominent book Fearful Symmetry, a mystic enraptured with incommunicable visions, stand up apart, a lonely and isolated figure, out of touch with his own historic period and without influence on the following one (3), time has proved to be the visionarys most celebrated ally, making him one of the most frequently compose about poets of the English language. William Blake has become, in a sense, an institution.Without Contraries is no progression. Attraction and Repulsion, cogitate and Energy, Love and Hate, ar necessary to Human Existence, wrote Blake in The Marriage of promised land and Hell. Perhaps his most famous line, these words are the connecting thread through with(predicate) all of Blakes work, from The Songs of Innocence and Experience to Jerusalem. But what those words mean has been a point of contention throughout the years. What does that mean for the Male and the Female who are at the center of his work? If they are Contraries, then what does the Female in Blakes work represent? Just what did Blake mean? And from where did his ideas and perceptions spring?In 1977 Susan confuse addressed these questions in her well-renowned essay The Female as Metaphor in William Blakes Poetry. As the first literary critic to comment on Blakes inconsistencies in his treatment of the Female, Fox explores the progression of the extended metaphor throughout the cart track of his career. She explains that Blakes vision of the Contraries became more clear to him as time went on therefore, the contradiction lies in his earlier views of the Female, identified with weakness and failure, and his later attempt to rescu... ...cism 34 (1995) 255-270.Ostriker, Alicia. Desire Gratified and Ungratified William Blake and Sexuality. Blake An Illustrated Quarterly 16 (1983) 156-165.Paglia, Camille. Sexual Personae stratagem and Decadence from Nefertiti to Emily Di ckinson. New Haven Yale University Press, 1990 270-299.Pavy, Jeanne Adele. A Blakean Model of Reading sexuality and Genre in William Blakes Poetry. DAI 53 (1993)Emory University.Storch, Margeret. Sons and Adversaries Women in William Blake and D. H. Lawrence. Knoxville University of Tennessee Press, 1990.Webster, Brenda. Blake, Women, and Sexuality. Critical Paths Blake and the Argument of Method. Eds. Donald Ault, chink Bracher, and Dan Miller. Durham and London Duke University Press, 1987 204-224.Wilkie, Brian. Blakes Thel and Oothoon. B. C. Canada University of Victoria Press, 1990.