Versaces Men Without Ties :: Versace Image Advertising Essays

Versaces men Without TiesMen Without Ties (p.25, Hannah) reveals a male figure, athletically built, broad shouldered, narrow-waisted, herculean legged, with whizz Versace necktie in hand and two tied close to the waist. The figure is captured in a dynamically dashing pose, choreographed to show kill his muscles, built, vitality and gracefulness. Men Without Ties is one of many nude poses in Versaces Men Without Ties, a portfolio album of his works. Here, Versace puts together a collection of sketches, designs and magazine advertisements, inserted into much(prenominal) avante-gard fashion magazines as Vogue, Elle, Bazaar, etc. for his Mens Wear collection. Here, Versace introduces to the general public, to the passionate collectors of Versace raiment and to those fans with an eye for fashion, his idea and concept of the New Man, Versaces man without ties.This man without ties refers in a flash back to Roman sculptors Diskobolos a marble copy of Greeks original of c.450BCE . (D iskobolos is one of many surviving Roman copies of Greek sculptures, indicating Greek finesse and sculptures salient and long lasting influence on Roman civilization and society). This heroic- surface statue depicts a nude athlete, a discus thrower at the scrap when the discus is swung furthest back, at the very decisive moment full seconds before the discus will be soared into the air (p.114, Robertson).Discus potter type sculptures, art and architecture is typical of Greek High pure and Hellenistic art and concerns. High Classical and Hellenistic art longing to draw healthy and vigorous athletes of ideal physical proportion and beauty, to tally the vigorous, healthy and active Greek individuals and citizens. In this way, sculptures, along with other art mediums and architecture, hope to elevate Greeks victory and to celebrate Greeks triumph of a parliamentary and enlightened city-state over Persias imperial forces Greek civilization over Persias vocabulary reason over a nimal passion.Both Man Without Ties and Diskobolos , as mentioned, portray a vigorous, athletic figure, dancing theatrically in dramatic actions and gestures. Whereas Diskobolos is rendered in sculptural, life-size, three-dimensional form, Man Without Ties is rendered in a two-dimensional, black-and-white photograph. Nevertheless, both mediums still express Greek High Classical and Hellenistic arts concern for a more expressionistic figure, one that conveys and appeals directly to the senses through this lustrous shine of surfaces and emotions.The action-figures are now able to reach out beyond its contained post and into the immediate surrounding environment. The figures now seem to impose themselves forcefully upon the spectator, kindle the viewers response to the dramatic situations.