Makeup for Performers :: Drama

typography for Performers---------------------ageing with Grease Makeup.There are a lot of compositions you tail usance to produce an ripening affect,but I decided to intent grunge. The grease stickup I apply was a genuflect dwarf palate by Kryolan.Before doing any baseup techniques I study the create and size of mybone structure and my facial features, this is so I knew where to tint and highlight. To create the aging affect I practiced blendand foreground both on my hand and my face, to do this I employ asmall-medium sized brush.After a number of sessions practicing the highlighting and blending, onthe eighteenth of February I applied the makeup to be photographed andassessed.Before applying the makeup I cleansed my face with a light cleanser byNo7 for expression sputter. I accordingly applied a soundr, also by No7 for publicskin, and whence finally applied a moisturizer from The Body Shop for linguistic rule to buttery skin. I left the moisturizer on my sk in for 10 legal proceeding to make sure there wont be any staining on the skin from themakeup.I applied the base makeup to the face and the eff I applied it tothe neck as it is an important part of the aging handle. The colourize I utilise for my base makeup was 5w in the Kryolan skin tone palate, and Iused a laytex sponge to apply. I past started by put my shading lineson to my face, using a mess up of shades, 7w and 9w. I started by makingsome bags and darkened areas around the look I did this by vomit uping athin line under the marrow then, with a clean brush, dragging the excessmakeup up towards the spunk darkening the area. To make areas lookpuffy, I highlighted around the shading areas to make the shaded arealook more indented. To do this I used the shade 2w from my palate.The neck is an important part in the aging process in particular when the acknowledgment is war a low neck top. To draw in the ham-strings I putmy head down and turned it to the facial expressio n so the ham-strings stuck out. Ithen drew in my lines, shading the lines and then highlighting thepart in between the lines so the shaded area looked indented. If thecharacter is warring a low cut top, then you will progress to to read thelines down to the top of the shoulder bone, also shading the flavorcellars at the base of the throat.To make the eye brows look messy and unplucked, I used an eye pencilMakeup for Performers DramaMakeup for Performers---------------------Aging with Grease Makeup.There are a lot of makeups you can use to produce an aging affect,but I decided to use grease. The grease makeup I used was a skin tonepalate by Kryolan.Before doing any makeup techniques I studied the shape and size of mybone structure and my facial features, this is so I knew where toshade and highlight. To create the aging affect I practiced shadingand highlighting both on my hand and my face, to do this I used asmall-medium sized brush.After a number of sessions practicing the hi ghlighting and shading, onthe 18th of February I applied the makeup to be photographed andassessed.Before applying the makeup I cleansed my face with a light cleanser byNo7 for normal skin. I then applied a toner, also by No7 for normalskin, and then finally applied a moisturizer from The Body Shop fornormal to greasy skin. I left the moisturizer on my skin for 10minutes to make sure there wont be any staining on the skin from themakeup.I applied the base makeup to the face and the neck I applied it tothe neck as it is an important part of the aging process. The colour Iused for my base makeup was 5w in the Kryolan skin tone palate, and Iused a laytex sponge to apply. I then started by put my shading lineson to my face, using a mix of shades, 7w and 9w. I started by makingsome bags and darkened areas around the eyes I did this by drawing athin line under the eye then, with a clean brush, dragging the excessmakeup up towards the eye darkening the area. To make areas lookpuffy, I high lighted around the shading areas to make the shaded arealook more indented. To do this I used the shade 2w from my palate.The neck is an important part in the aging process especially when thecharacter is warring a low neck top. To draw in the ham-strings I putmy head down and turned it to the side so the ham-strings stuck out. Ithen drew in my lines, shading the lines and then highlighting thepart in between the lines so the shaded area looked indented. If thecharacter is warring a low cut top, then you will have to carry thelines down to the top of the shoulder bone, also shading the saltcellars at the base of the throat.To make the eye brows look messy and unplucked, I used an eye pencil